Vivaldi Pieta Philippe Jaroussky



French countertenor Philippe Jaroussky, whose honey-sweet voice perhaps remains the best introduction to the countertenor voice for the skeptical, attempts something new with the collection of gorgeous and generally underrated Vivaldi works. Philippe Jaroussky is a male soprano: his forte are melismas and coloratura in the high register - he gets it without any effort. Of course, he has many other merits. He is young, has a fresh voice, long breath and impeccable musicality - he hits the very center of each note: in this respect he reminds me of young Alfred Deller, though Jaroussky's voice, unlike Deller's is is not warm.

Philippe
30-06-2019, 09:28
Classical Music | FLAC / APE | HD & Vinyl

Jaroussky
Artist: Philippe Jaroussky
Title: Vivaldi: Pietà
Year Of Release: 2014
Label: Erato / Warner Classics
Genre: Classical
Quality: flac 24bits - 96.0kHz +Booklet
Total Time: 01:18:32
Total Size: 1.3 gb
WebSite: Album Preview
Tracklist
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01. Clara stella e scintillate, RV 625: I. 'Clarae stellae, scintillate'
02. Clara stella e scintillate, RV 625: II. 'Coeli repleti iam novo splendore'
03. Clara stella e scintillate, RV 625: III. 'Nunc iubilare'
04. Clara stella e scintillate, RV 625: IV. 'Alleluia'
05. Stabat mater, RV 621: I. Stabat Mater dolorosa
06. Stabat Mater, RV 621: II. 'Cuius animam gementem'
07. Stabat Mater, RV 621: III. 'O quam tristis '
08. Stabat Mater, RV 621: IV. 'Quis est homo'
09. Stabat Mater, RV 621: V. 'Quis non posset '
10. Stabat Mater, RV 621: VI. 'Pro peccatis'
11. Stabat Mater, RV 621: VII. 'Eia Mater'
12. Stabat Mater, Rv 621: VIII. 'Fac Ut Ardeat'
13. Stabat Mater, RV 621: IX. 'Amen'
14. Filiae maestae Jerusalem, RV 638: I. 'Filiae maestae Jerusalem'
15. Filiae maestae Jerusalem, RV 638: II. 'Sileant Zephyri'
16. Filiae maestae Jerusalem, RV 638: III. 'Sed tenebris diffusis'
17. Concerto in C Minor, RV 120: I. Allegro non molto
18. Concerto in C Minor, RV 120: II. Largo
19. Concerto in C Minor, RV 120: III. Allegro
20. Gloria in D Major, RV 589: VI. Domine Deus
21. Longe mala, umbrae, terrores, RV 629: I. 'Longe mala, umbrae, terrores'
22. Longe mala, umbrae, terrores, RV 629: II. 'Recedite, nubes et fulgura'
23. Longe mala, umbrae, terrores, RV 629: III. 'Descende, o coeli vox'
24. Longe mala, umbrae, terrores, RV 629: IV. Alleluia
25. Salve Regina in G Minor, RV 618: I. 'Salve Regina'
26. Salve Regina in G Minor, RV 618: II. 'Ad te clamamus'
27. Salve Regina in G Minor, RV 618: III. 'Ad te suspiramus'
28. Salve Regina in G Minor, RV 618: IV. 'Eia ergo, advocata nostra'
29. Salve Regina in G Minor, RV 618: V. 'Et Jesum benedictum fructum'
30. Salve Regina in G Minor, RV 618: VI. 'O clemens'
Composers
Vivaldi, Antonio (1678-1741)
Philippe Jaroussky is a counter-tenor superstar and deservedly so. In the years since his first solo release on Erato, he has established his reputation as the pre-eminent counter-tenor of his generation through the expressive clarity of his voice and his eclectic choice of repertoire. While Baroque repertoire is naturally a constant mine of music to explore for him, Philippe broke the counter-tenor mould with his 2009 album Opium, an album of French songs from the late 19th and early 20th centuries, and included guest appearances from some of France’s best music exports, such as Renaud and Gautier Capuçon, and Emmanuel Pahud.
Following his last two releases of baroque masterpieces – Pergolesi’s Stabat Mater with soprano Julia Lezhneva, and a collection of outstanding opera arias by Neapolitan composer and singing teacher Nicola Antonio Porpora, whose most famous singing student was the castrato Farinelli – Philippe Jaroussky returns to the studio with the orchestra he founded, Ensemble Artaserse, for Pietà, a survey of some of Vivaldi’s most beautiful sacred works. DVD includes video of Antonio Vivaldi Stabat Mater (studio recording) and a video of Philippe Jaroussky following Vivaldi’ steps in Venice.

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  1. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618
  2. Longe mala, umbrae, terrores, introduzione to Gloria for voice, strings & continuo in G minor, RV 629
  3. Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589: Domine Deus
  4. Concerto for strings & continuo in C minor, RV 120
  5. Filiae Mestae Jerusalem, solo motet for voice, strings & continuo in C minor, RV 638
  6. Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621
  7. Clarae stellae, scintillate, solo motet for voice, strings & continuo in F major, RV 625